We look into whether it offers more than your smartphone. We and our partners use technologies, such as cookies, to recognize you and show you more of what you like. But these scores represent the average latitude values Ive been able to research from other reviewers, or as reported by the film manufacturers. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. For Fujicolor, what we have here is just the regular Fujicolor 100, 200 and 400. This is easily remedied by overexposing slightly. #mc_embed_signup{background:#fff;clear:left;font:14px Helvetica,Arial,sans-serif}
I, too, used it as a general film and I am looking forward to seeing the results when I develop it this weekend. Leica introduces a tilt screen, USB-C and HDMI ports, 8K video and more to the Q-series. The biggest drawback of Ultramax though is the grain, which you can really see in even slightly underexposed photos. Do you know where I can buy one in Manila? Thank you if read all that dribble, I just like writing/typing. This film is also very punchy or contrasty. Get your own 5 Frames featured by submitting your article using this form or by sending an email via the contact link at the top of the page. The Phoblographer 2023 Bridging Tech and Creative Photography. NO WAY..Today we exploreThis 4k video was filmed with this combo:https://bhpho.to/2GrQBN8Get. The skin tones seem cooler to me but they are smooth, without some of the abrupt transitions to the highlights you see from many of the budget films. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. Ask Question Asked 3 years, 10 months ago Modified 3 years, 10 months ago Viewed 3k times 0 I've been taking pictures for years now, firstly with some old digital Nikons, then Canons, then I moved to mirrorless Fuji XT3 (I love it! Is it true that your Fujifilm camera is underexposing images??? Scan this QR code to download the app now. Sharpness and grain are quite pleasant across the board. For a Kodak film, its tones are a bit cooler than what I remember seeing in reality. Not much grain to be seenFuji C200 is a fine grain film. If youre still reading, Ill assume youve gone through and rated the photos. I do Home develop so i have control over all the variables and I havent Had any issues yet with pushing color film. But if you've ever shot the C-less Fujicolor 200, you'll probably recognise the canister. You can add your support by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. So youve got some scores and you have some idea if what you would like to shoot. In open shade, FujiFilm C200 has a tendency to render skin tones with a slight magenta shift. P.S. The three main ones: first, I believe Fujicolor C200 has a little bit of a finer grain to it. I love that it can get really punchy in the red end of the colour spectrum. ": Fuji C200 or Fuji Superia Premium 400 Probably underexposed since she used a pns camera too in here (I assume) #BLACKPINK # # #35mm #JENNIEKIM" Featuring a textured brown leather design and golden embossed detailing, no safari is complete without this advanced instant camera. Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this interview we get to know Iraqi-born film photographer Khaldon Khalil. Just perfect. Also, if youre interested in a similar blind comparison for B&W films, checkout the videos Ive done for those. This film controls noise very well and is perhaps the smoothest of the films weve been comparing. For my style of photography and typical San Diego lighting conditions, I find it vastly superior. My name is Dan Marinelli. Quick Tips for Beautiful Flower Photography in Early Spring, The Best Accessories for the Enthusiastic Smartphone Photographer. As the . Yes, its not a bad idea, even if I prefer to expose to the right. And after putting three rolls through my Canon, I wasnt disappointed. Color shifts, grain issues, and just generally bleh images can occur. The colours for Fuji C200 have really impressed me with how accurate and life like they are. It's a tick in almost every box. As per film, supply is never regular here. 0 comments. This little test is really about discovering which readily available consumer-grade 200 ISO C-41 film best fits my needs. Not everyone will scan themselves, so this may not even be an issue for you. But for the others situations, where we have a quick event job and the jpg do fine. During my tests, the film proved to be surprisingly forgiving in open shade or on overcast days, rendering fairly neutral colors without taking on too much of a blue cast. Color Plus is not a sharp film and, as expected for a budget film, very grainy. Whilst a landscape photographer who is taking their time might be ok with a film that requires more precise attention to appropriate exposure values. So thats it as far as c-41 or color negative films. I can certainly see why so many photographers swear by the stuff. Maybe set them both to Auto or both to Manual with the same settings? Some people love it (great for the lomography look) but I hate the obvious distortion of color I have to correct in post-processing. Happy shooting all. Cinestill 50d also exhibits this, but it is usually more subtle as its less common for folks to shoot a 50 speed film at night. Ektar has less exposure latitude than other color negative films, and when shot indoors it is better to shoot it as 32 ISO film. Next youll do the same with contrast straight off a scan. save. I think grain can add character to an image. What are your experiences with pushing C200 to 800? When underexposing C200 by more than a stop, be prepared for some strong color casts. In this article, we share a few LomoChrome Metropolis photos taken by community members defying the typical urban set-up the film is known for. Since Fuji C200 is dirt cheap ($10 for a pack of 3 rolls through B&H), I decided I could afford to take some risks and liberties with a roll of it namely, pushing it two stops in my Canon AE-1 with my Canon FD 50mm f/1.8. Moreover, be aware that many people who have reviewed this film report that it is unpredictable. Which of these two film stocks do you normally shoot? I am not certain these are equal). I love how it plays with colours, in particular the first and third shot (a bit of a 'pastel' feel from the 3rd). As is with C200, I find saturation/contrast to be spot on, if a little flat in some situations (but it works). We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. Portra 160 was specifically designed as a portrait and wedding film. I don't have an X-T1 or an X-T3, but my X-T2 and X-T20 match up pretty well and are about where you'd want them in terms of exposure at 0 EV. See if you can guess which one is Fuji C200 and which one is Kodak Gold 200. Lomography has film partners all over the world and this time we present to you the Lomography Embassy Store from Taipei. So everything depends on your subject matter. No funny business, just a whole heap of Lomography love right to your inbox. I did not evaluate these films here as these are not at all what I would call beginner films. Your X-T3 looks like it might have a spot on the sensor too. And while I consistently got great results by metering for the shadows, your results may vary, especially if youre shooting with an older SLR or point and shoot with a more rudimentary meter. When it comes to skin tones, in shaded or subdued light, skin tones look natural and smooth. The goal of the Toxics Release Inventory program is to provide communities with . Forget the ordinary, make the world extraordinary with this special edition LomoInstant Automat Camera with lenses featuring a colorful illustration by Hong Kong artist, Vivian Ho! With Fuji c200 skin tones seem to be brighter or have more luminosity than other films. If youre looking for a film to take on your next ski trip in the mountains, you could do a lot worse than C200. But, as it is, there will be more commonalities than differences between the various Portra films. I cant give you permission to edit the template. Ive also been told, and have taken into my personal philosophy, that rules are made to be broken. You know, almost as if theyre going to go out on an African safari at all times without being anywhere near something like a safari. To do that, in Google Docs file menu, go to File -> Make a copy. For more information, please see our This will be especially interesting to you newer film shooters looking to find a color film that fits best with your style of shooting, developing, and/or budget. This kind of post-processing seems to garner the cleanest shots in my hybrid workflow. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder. But in general, a few of my shots have a bit of a green undertone. While other manufacturers like Sony have made all things Mirrorless smaller, the late comer to the Mirrorless party seems to have decided that bigger is better. BTW: do you realize the X-T3 files have location info [gps] embedded? I had a fun and active week ahead of me, a day out in my city of Chicago, and three days later, a camping trip to Spruce Knob, West Virginia, and could shoot between the two locations. Its really bugging me. In the studio? Welcome back! We're Noct messing around with this review. Ive noticed that it has significantly finer grain than Kodak Gold 200, which is a benefit when you are shooting half-frame negatives. I basically shot it at whatever speed I wanted, using the in-camera light meter as a rough guide. However, overexposing too much can result in muted, pastel colors. (referring to '03-XT1_DSF9451.RAF' and '03-XT3_DSCF0137.RAF' ). Fuji C200 is a film which oozes character. We look into whether it offers more than your smartphone. On cloudy days, I found C200 tended to produce very neutral images that heavily emphasized greens. While some have beautifully muted tones that give a sense of softness, or that Fuji blue-green tint that adds a sense of unease and coldness to an otherwise fun shot, others bring punchy and saturated colors that look like a different film stock altogether, and others still perfectly and accurately render the scene I had before me. Digital photography is convenient. So the first thing youll do is go along the top and rate how important each evaluation criteria are to you. For Fuji we have Velvia and Provia, and for Kodak we have the recently re-released Ektachrome. You'll have to compare it with another X-T3. Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. If you temper your expectations youre sure to find something to love about C200. Note that youre not defining what is good color, only how important color is to you, in general. Meaning some of you may like plenty of grain, others will prefer finely packed and smooth grain. Which stock do like better? While reports vary and it depends on the actual quality of light, not just light amount, when determining the latitude of this film, this film will generally provide maybe three stops over and one stop under exposing. and our The transfer of knowledge across the film photography community is the heart of EMULSIVE. Read on after the break to find out more about what the Canon engineers are wafting on about. And in r/analogue it seems to be the roll of choice for many people. Since it is infrared, that means that there are no real purple fields in the Congo. What's the best camera for shooting sports and action? Above the clouds, in a gloomy forest or dunked in a bubble bath. In many ways Fuji c200 and Fuji Superia Xtra 400 are very similar. Do you mean the meters exposure, spot, Center-Weighted, Multi, average ? I will give it a 9 of 10, maybe it was not the intention behind the photo but the mistake resulted in an interesting image. In fact, in many ways it reminds me of Classic Chrome profile Fuji has created for its digital JPGs, which I also really enjoy. This is the Cinestiill trademark and depending on who you are, is what makes it beloved or hated. I shot Kodak Gold 200 exclusive, because its available in drogstores here in Germany at 8 for 3 Rolls. Nashville-based photographer Jamie Goodsell recently left the music industry to focus on developing his own style of fine art. Speaking of learning curves, C200 has something of a split personality that can make it a polarizing option for photographers shooting it for the first time. Its medium sensitivity and slightly warm white balance makes it an incredibly versatile film, that can be used in practically any environment and render useable images. Some shots with Fuji C200 & Kodak Portra 400 (& some thoughts) In reply to dark13star May 26, 2021 dark13star wrote: . Few film stocks have a more dedicated following, and thus , Fuji Pro 400H is a lovely professional film stock that is prized for its classicFuji colors, breathtaking skin tones and wide dynamic range. That's how I exposed this film. The purpose of this article is to help you decide which of nine C-41 color film stocks, of those currently available in the US, is right for you. Fujifilm gave it a small refresh in 2017, and it's still available today. However, for the price, I think its definitely worth giving C200 a try. X-T1 alway perfect exposure, X-T3 always 2/3 to a stop behind. Tried both raw and jpeg. (Or black and white for that matter) Im excited to see others pushing C200 also as that was my next stock to try pushing (going to to go for +2 push). Thanks for sharing these. I have 2 of them just to perform little tests like this. Success! First i put Kodak and shoot the rool then bought polarizator and shoot another rool of kodak. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. Good saturation/contrast. YESSS!! All the other metering options involve the camera making an educated guess from the various areas in the frame. If Im aiming for the nostalgic look, I load Kodak because of its strong yellow tinge. I think I prefer the Fuji purely for the extra contract. There will always be the bad shot, the failed shot, but for every one of those that you end up with, you will have something unique and beautiful. There seems to be a strong trend amongst street photographers who use Kodak Gold to over-expose it a couple stops for a very warm look that no other film can quite create. The Canon EOS R10 is compact, mid-level 24MP APS-C mirrorless camera built around Canon's RF mount. And if they put a little highlight on that, fuji will react as usual and explain or correct in firmware update. Im not afraid of grain, and in fact prefer the grainy look of consumer film to the smooth, clean look of, say, Portra 400, and the textured look of photos like that of the berries are especially beautiful to me. However, in direct sunlight I do observe some more saturation in the reds in the shadows and even some in the midtones, and that will contribute to pale skinned subjects appearing more pink, although, not nearly as much as the cheaper Kodak films. Some photos are massively overexposed, others massively underexposed. 5.0 out of 5 stars 2 product ratings Expand: Ratings. He tells us how his creative outlook has changed, with the help of experimental LomoChrome films. Typical on high speeds. To my eye, Ektar creates the truest cyan of the films weve discussed, rendering the blue of this background, with this pool, and with this truck exactly as my eye remembers seeing them. Lens: Asahi S-M-C Takumar 3.5/28. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. Since its extremely cheap, Color Plus is also a common film to see among street photographers. For those of you who prefer to do things in camera, blue casts can be mitigated by screwing on a mild warming filter when shooting in the shade or on cloudy days. I don't know about these negative feedbacks but I think people are just too picky or not too sure how to handle the uniqueness of individual films. In less than perfect lighting conditions, a magenta cast can creep into the skin tones. Playing with shadows (Canon f-1 & Fuji c200) 1/2. -Charles Olsonhttp://photos.herodot.us. DIY film developer and fixer, can I use Xray film developer. Personally, I fall into this category. Camera Services. 354 Share 12K views 2 years ago Fujicolor C200 analog film over- and underexposure tested review. We've combed through the options and selected our two favorite cameras in this class. Yup, A Photo vest! You can change your language preferences any time you like just select your language from the dropdown list! Like the rule says, on a sunny day, use 1/125th and f16. Check your email for magic link to sign-in. Coming to which one I use depends on the intent. Next youll rate acutance, the perceived sharpness of the film. If youre interested in separate video that explores these films, let me know. The Color Film Photography Blind Taste Test: Can You Figure This Out? And now that we know which film is which, we can look at the final three factors to consider on the scoring sheet. 0. . Gold 200 is a medium-speed, consumer film stock that can be had in the 35mm format in your choice of 24 or 36 exposure rolls for anywhere between $3 and $4. And that is the issue that I have. But I'm enjoying it so far. Always shooting RAW and usually on manual aperture. Be sure to subscribe to them on Youtube. Any shadows or blacks looks like this, or this, which some . The skin tones can be nice, but with particularly white skin in light that is even a shade warm, they tend to go quite pink. 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Probably, if compared with Fuji Superia 200, this film can bring out some negative feedback, but to people who find art out of perfection, this film can be their best call. 5 Frames With pushed Fujicolor C200 (EI 800 / 35mm format / Canon AE-1), A complete guide to the Mamiya RZ67, part five: conclusion and personal stories, Say hello to the LEGO Nikon F3, the new plastic fantastic film camera, Click to see Piper McManamon's full profile, links and other articles, 5 Frames Of portraits with an industrial vibe on Japan Camera Hunter Streetpan 400 (35mm / EI 200 / Canon AE-1 + FD 50mm f/1.8), 5 Frames of Redscaled Kodak ULTRA MAX 400 (35mm format / EI 100, Canon AE-1 + Canon FD 50mm f/1.8) by Piper McManamon, 5 Frames Of my daughter a few weeks before harvest in Tirora on Fuji C200 (35mm Format / EI 200 Canon FTB QL + Canon 50mm f/1.4), 5 Frames With A Kaleidoscope Filter and Cinestill 50D (35mm Format / EI 50 / Canon AE-1 + Canon FD 50mm f/1.8), 5 Frames Of Mountain biking in the Valtellinesi Alps on Kodak Portra 160 (Canon A-1 and Canon FD 50mm f/1.8), 5 Frames Of Irelands North East Coast on Fomapan 400 Action and a Canon FD 50mm f/1.8 S.C (35mm Format / El100 / Canon AE-1 Program), 5 Frames Testing a Yashica MG-1 with Fujicolor C200 and new light seals (35mm Format / EI 200 / Yashinon 45mm f/2.8), 5 Frames Of Portraits on ILFORD HP5 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8), 5 Frames At home ILFORD Ortho PLUS (35mm Format / EI 80 / Canon AE-1 + Canon 50mm f/1.8), Travelogue: People of Myanmar, the Kayan and Kayah, 5 Frames With Kodak Portra 800 (EI 800 /35mm format / Leica M6), Zrich Pride 2021 on Cinestill 50D and BWxx film / Pentax MX and SMC-Pentax-M 50mm f/1.7 lens by Astrid Robertsson, 5 Frames Of the the West Australian Wheatbelt on Kodak Ektar 100 and a Franka Rolfix II (120 Format / EI 100 / Schneider Kreuznach Radionar 105mm f/4.5), Travelogue: Fujicolor in Paris on a Nikon L35AF, 5 Frames Of Mexico City, Xalapa, Veracruz on ILFORD Pan 400 (35mm Format / EI 400 / Olympus XA2 + D-Zuiko 35mm f/3.5), How-to: Make DIY your own black and white transparencies (slides), How-to: Shoot 120 & 35mm film in a Polaroid pack film camera, 5 Frames Along Londons Regents Canal and West End on Svema Color 125 (35mm Format / EI 125 / Canon EOS 300 + Canon EF 28-80 f/3.5-5.6), 5 Frames Walking from Marble Arch to Bond Street on Fomapan 100 Classic (35mm Format / EI 100 / Canon EOS 650 + Canon 28-105mm f/3.5-4.5 EF USM II).
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